(BIO, links to purchase books, and publications list below)
ONE FROM THE FACTORY
Born in Havana in 1891 to farming
labourer parents; he emigrated
to Miami in about 1920;
his livelihood was cigar rolling and
tobacconist and then he
moved to NYC and then
finally to Philadelphia;
he married and gained a son
and everyday after a 10 hour
shift of factory work he’d
return to his small and
humble apartment and
create breath-taking; astounding
works of art
and he never showed another
living soul these works;
never uttered a word to
anyone; kept no correspondence
with anyone; did not know
or socialize with artists and
he stole materials from the
factory to make beautiful
and astonishing collages of
human condition and political
absurdity and it is rumoured
that his son assisted with some
of these works and in
1983 some 20
years after his death,
discovered in a garage-sale was
nearly 800 works
from the artist, the healer, the man
who produced for the sake of
beauty; pleasure; love;
creating not for money; fame; ego;
and now his works are
analysed and priced far
beyond the means of any
factory worker and maybe
Felipe Jesus Consalvos
would feel really pissed-off
with this bullshit.
THE CODE & HONOUR
I know low-life,
I’ve lived it, breathed
it: cheated, robbed,
lied and betrayed
most and myself:
I’ve been cold and
distant and brutal
and self-sacrificial
but even in that
place there are
unspoken codes and
rules as there are
in all worlds:
but you over-stepped
and people got hurt,
some of them
innocent,
soon enough,
the blood on your
hands will
be your own.
IF NOT EARLIER
From the age of 7
she can remember
always feeling hungry
and guilty and the
verbal, physical and
sexual abuse by her
parents, older siblings
and other sick
relatives:
she ran away at 15,
lived on the streets,
sold her flesh and
her soul for junk,
at 21, she awoke in a
hospital bed,
over-dose
and 2 stab wounds to
her stomach
and she pulled
through;
18 months later,
aged 23
she wasn’t so lucky.
THE REFLECTION
‘Look’ she said, mobile phone
in hand; she slowly flipped
through a series of photographs
of her nakedness swollen and
smothered in bruises and
traumatic injuries:
‘I woke up in agony, I had no
idea what happened, I called
the police and of course no
one in the house knew
anything about it’
she was shaking and
trembling,
she was frightened, as she’s
been for 25 years:
11 years of constant booze
and drug addiction, clean
and sober for 3 weeks:
‘I feel good, I’m in
control, you know, I can
think now’
she told me and smiled
a beautiful smile, it
felt like a new world
that she’d just stepped into
for the first time
and seeing a reflection
of herself
and not recognising
who she was looking at.
THE PLEDGE
She pledged that she’d never
use again, swore on her
mother’s life, she’d never
score again
and she meant it too,
during this time we got to
know each a little, I never
told her how I felt about
her, I should have told
her but it would have
made no difference to
us or the world, but if
there is something I
regret not saying to you
was that I loved you
but you went away, back
to a place that would
keep you away from me
forever, to a world of
dirty-works and disease
and hopelessness and
we were so young but I
know now that you
had already written your
script and that it pushed me
away from you, per haps
out of thoughtfulness,
of temporary self-
preservation;
we never did say
goodbye and I’m glad
of this
as this is something
I never wanted to
say to you.
THE PROFIT
‘I don’t care what you
write anymore, no, I
don’t mean that, but
everybody is making
a profit out of you,
don’t you see it?
tell me, whose the mug?
they publish you, right?
they send you 5 or 10
copies of the book
and you give these away,
right?
but the publisher, they
sell their copies, right?
but that doesn’t bother
you does it?
‘Right’ I said
‘Right’ she said.
THE OLD FRIEND
She never knew of love,
the way she imagined it
would be;
it wasn’t being beaten
senseless by a speed-
freak or laying on the
streets unconscious as
the wino’s pissed and
masturbated over you
or of losing children
to hospitals and prisons
or knocking on the door
of an old friend; fragile
and vulnerable and of
how, that night, he
cared for you, looked
after and comforted
you and you offered
yourself to him but he
played it away and
rolled another joint
and when he handed
you the smoke, you felt
something as your fingers
touched, he felt it too but
neither said a word,
looked silently at one
another and relaxed into
a smile and then he
moved away, put on a
Miles Davis
disc and uncorked
another bottle,
both of them dare
not let go of what
and how they felt and
later she left by taxi;
next time he saw her,
several weeks later,
she was being
cremated.
THE GARAGE ROOF
‘What the fuck
are you doing on our
garage roof at midnight?’
he asked in a whisper:
I was intoxicated and his
suddenly opening his
bedroom window had
startled me:
‘I’ve come to see your
sister’ I told him:
‘Is she expecting you?’
he asked, smiling,
knowing me a little:
‘Kind of’ I replied ‘here,
have a drink’ I said
offering up the bottle
of wine: he shook his
head; ‘Come in and
be quiet’ he said and I
climbed in:
‘Thank you’ I said;
‘Be sure to leave by the
fucking front door and
don’t fucking disturb me
again’ he told me: he was
15 years old and his sister
was 6 years older than he
and I was a few years older
than his sister and we were
in love and her parents
knew nothing of our
romance and this was
best for all concerned:
at 4am I left the house
by the front door:
‘Goodbye’ she said from
her bedroom window:
‘Yeah, see you again’
her brother said from
his bedroom window
before softly closing it.
THE PUBLIC ORDER HAMMER
It was when he pulled a knife
that I backed off,
the corridor was narrow
and a crowd surged
behind me unaware of this
drunken asshole, a stranger
angry and fucked up with
a threatening blade:
the discotheque music
was blistering and
people were shouting to
be heard; my girl grabbed
my arms as two security
black-uniformed thugs
smashed the knife guy to
the floor: the party-people
quickly quietened to
witness the punches of
public order hammer
into the face of the
unconscious steel-wielder
and then the cries and
screams came in protest
for the two heavies to
stop the beating and it rose
above the D.J., it towered
above the approaching
police and ambulance sirens
and it sounds today,
everyday, everywhere,
just listen.
John D Robinson is a UK poet: hundreds of his poems have appeared in small press zines and online literary journals including : Rusty Truck: Outlaw Poetry: North Of Oxford: Tuck Magazine: Misfits Magazine: The Sunflower Collective: Winamop: Bear Creek Haiku: Chicago Record: The Legendary: Paper and Ink Zine: Algebra Of Owls: Full Of Crow: The Beatnik Cowboy: The Clockwise Cat: The Scum Gentry: Message In A Bottle: Horror Sleaze ,Trash: Your One Phone Call: In Between Hangovers: Rasputin: Revolution John: Vox Poetica: Hand Job Zine: 48th Street Press: Poems-For-All: Philosophical Idiot: The Peeking Cat: Midnight Lane Boutique: Underground Books: Dead Snakes: Yellow Mama: Bareback Lit: Eunoia Review: Hobo Camp Review:
His published solo chapbooks are
‘Cowboy Hats & Railways’ (Scars Press 2016) scars.tv/
‘When You Hear The Bell, There’s Nowhere To Hide’ (Holy&intoxicated Publications 2016 sold out)
‘An Outlaw In The Making’ (Scars Publications 2017)
‘Hitting Home’ (Iron Lung Press 2018 2nd edition) ironlungpress.bigcartel.com/about-iron–lung–press
‘In Pursuit Of Shadows’ (Analog Submission Press 2018 sold out) www.analogsubmission.com
‘Echoes Of Diablo’ (Concrete Meat Press 2018) adrianmanning.wixsite.com/concretemeatpress
Too Many Drinks Ago’ (Paper & Ink Zine Publication 2018)
http://www.etsy.com/uk/shop/PaperAndInkZine
NOTE: Several of John D. Robinson’s books can also be found for sale on Amazon.com.